The first certain information of the existence of the current parish church of San Bartolomeo Apostolo are from documents dating back to the thirteenth century, in particular from a document dated 1249, in which the appointment of the Rector of priest Silvestro, already chaplain of the same, is certified, and 1260, concerning the estimate of the Church of Lucca. However, the construction and consecration of the Church is certainly older, presumably referable to the 11th century.
San Bartolomeo per wheel has a single-nave planimetric system with semicircular apse, oriented according to the East-West axis. The building, paginated externally in Romanesque-Roman style, stands on a stone paved churchyard, which the buildings of the rectory also overlook<\/p>\n","modified":"2022-10-03T13:20:52","color":"","icon":"","noDetails":false,"noInteraction":false,"zindex":"","image":"http:\/\/ir.be.webmapp.it\/wp-content\/uploads\/2020\/02\/9-300x300.jpg","accessibility":{"mobility":{"check":false,"description":""},"hearing":{"check":false,"description":""},"vision":{"check":false,"description":""},"cognitive":{"check":false,"description":""},"food":{"check":false,"description":""}},"reachability":{"by_bike":{"check":false,"description":""},"on_foot":{"check":false,"description":""},"by_car":{"check":false,"description":""},"by_public_transportation":{"check":false,"description":""}},"locale":"en","source":"http:\/\/ir.be.webmapp.it\/wp-json\/wp\/v2\/poi\/6758","wp_edit":"http:\/\/ir.be.webmapp.it\/wp-admin\/post.php?post=6758&action=edit","translations":{"it":{"id":1269,"name":"T6.1 - Chiesa di San Bartolomeo","web":"http:\/\/ir.be.webmapp.it\/t6-1-chiesa-di-san-bartolomeo\/","source":"http:\/\/ir.be.webmapp.it\/wp-json\/wp\/v2\/poi\/1269","description":"\n
Le prime notizie certe dell\u2019esistenza dell\u2019attuale chiesa parrocchiale di San Bartolomeo Apostolo si hanno da documenti risalenti al XIII secolo, in particolare da un documento datato 1249, nel quale si attesta la nomina a rettore di prete Silvestro, gi\u00e0 cappellano della stessa, e del 1260, riguardante l\u2019Estimo della Chiesa di Lucca. Tuttavia, la costruzione e consacrazione della chiesa \u00e8 certamente pi\u00f9 antica, riferibile presumibilmente all\u2019XI secolo.<\/p>\n\n\n\n
San Bartolomeo a Ruota ha impianto planimetrico a navata unica con abside semicircolare, orientata secondo l\u2019asse est-ovest. L\u2019edificio, impaginato esternamente in stile romanico-lucchese, si attesta su uno sagrato lastricato in pietra, sul quale si affacciano anche gli edifici della canonica<\/p>\n"}},"web":"http:\/\/ir.be.webmapp.it\/poi\/t6-1-chiesa-di-san-bartolomeo\/?lang=en","addr:street":"","addr:housenumber":"","addr:postcode":"","addr:city":"","contact:phone":"","contact:email":"","opening_hours":"","capacity":"","content_from":"","titolo_alternativo":"Chiesa di San Bartolomeo Apostolo \/ San Bartolomeo","rilevanza_storica":"The first certain information of the existence of the current parish church of San Bartolomeo Apostolo are from documents dating back to the thirteenth century, in particular from a document dated 1249, in which the appointment of the Rector of priest Silvestro, already chaplain of the same, is certified, and 1260, concerning the estimate of the Church of Lucca. However, the construction and consecration of the Church is certainly older, presumably referable to the 11th century. As early as the year one thousand, some hermit communities arise in the territory of the hamlet of Ruota, such as that of Sant'Andrea in Silva, dependent on the abbey of S.Salvatore a Sesto.\r\nAn epigraph on the facade certifies that the building is expanded west in 1309, while from another inscription engraved on stone on the north front of the bell tower it is possible to read that it is built around 1333. Subsequently, due to the distance that He separated San Bartolomeo Dalla Pieve which until then held the privilege, in 1425 the possibility of having an autonomous baptismal font was granted to the Church.\r\nIn 1562-63 the church was joined to the monastery of San Ponziano in Lucca and the care of souls dependent on the place of worship is consequently entrusted to a monk. It is likely that the ceiling with wooden drawers was created in a around this date which is to conceal the trusses of the roof structure.\r\nThe building is affected over the following centuries by numerous decorative and restoration interventions, which alter the original facies. Some internal remakes of the Church date back to the XVII: during a pastoral visit of 1660, the church is described with the baptistery on the right side of the entrance, the highest altar separated from the backstore, the latter attested in the document as painted.\r\nIn this regard, other documents attest to 1661 as the year affected by the decoration of the grandstand.\r\nSubsequently it is possible to find in documents of various kinds the succession of numerous interventions: the main ones give trace of interventions on the entrance portal in the main facade in 1798, of the insertion in the same of the two mullioned windows and the arrangement of the square in front in 1893, year in to which the cemetery is eliminated until then present in front of the church.\r\nIn the twentieth century the Church, the nearby sacristy and the bell tower were affected by interventions that focus mainly on the maintenance and restoration of the structures and covers - for example the insertion in 1921 of metal chains as a consolidation of the walls of the bell tower - culminated over the years 2017 2018 with the complete consolidation and restoration of the coverage of the Church.","rilevanza_stile_romanico":"San Bartolomeo per wheel has a single-nave planimetric system with semicircular apse, oriented according to the East-West axis. The building, paginated externally in Romanesque-Roman style, stands on a stone paved churchyard, which also overlooks the buildings of the rectory and a row of cypresses, as well as a monument dedicated to the fallen of the two world wars.\r\nAs highlighted also in the historical description, starting from 1309 - as evidenced by the epigraph placed on the facade - the original building has undergone numerous changes, being repeatedly modernized and expanded. The facade, with a hut with terminal pilasters, is of a fourteenth -century system but the ornamental elements - including some squared walls decorated with intertwining motifs - have probably dating back to the previous period plant building, if not typically early Christian in the center of the prospectus A portal framed by two pilasters surmounted by local stone capitals is located. The portal is surmounted by a semicircular archival with stone councils. Even the lateral prospects of the building present signs of rearrangement, however in the left parade there are well legible two single lamps and a window with a round arch, while the right side, partly hidden by the construction of the rectory, shows some differences of thickness.\r\nThe apsidal area is the only portion that preserves well -defined medieval characters: the masonry is with regular rows of square drafts of verrucan stone - a local stone used frequently, such as the Guamo stone - with a crowning with hanging arches supported by shelves. The shelves have a trapezoidal structure and the symbolic images of the evangelists are recognized on these: the lamb, the lion, the human head and the ox is understood. In the apsidal curve there is an opening in the forms of a single -fora with architect to trapezoidal councils. In 1980 the apse was renovated, going to remove architecture the hut roof with pillars and a wooden supporting structure that covered it. The cloak of the apse is in stone slabs.\r\nOn the left of the facade of the church stands the bell tower, dating back to the year 1333 as evidenced by the epigraph on it. In addition to the religious function, it is likely to consider the defense and sighting function linked to the bell tower. The architectural artifact is built in squad drafts, with single lamp in the upper part of each side and with crowning ghibellini blackbells. Inside the building is plaster and the wooden trusses of the roof are hidden by a polycromed and golden coffered ceiling. The nineteenth -century organ is positioned above the entrance door. The internal wall of the apse is covered with stuccos and oil paintings, the presbytery is raised by a step and has a balustrade. The pavement of the nave is made up of hexagonal tiles in bardiglio marble and white marble; On the sides of the nave the hexagonal tiles are instead in black and white concrete.\r\nImportant works of art are preserved in the place of worship, including the oil on table Madonna on the throne among the saints Bartolomeo, Giovanni Evangelista, Maddalena and Apollonia by Vincenzo by Antonio Frediani, dating back to 1488, preserved inside an newsstand Lineaea with columns, predella, cimas and golden bezel painted and carved by Zacchia the old man in the first half of the 16th century, made to restore and brown in the year 1554. There is also a wooden sculpture that depicts the Madonna on the throne with the child, dating back In the mid -fourteenth century. In addition to the wooden altars with Tele by Tiberius Franchi (first half of the 17th century) and the frescoes of the Tribune of Pier Filippo Mannucci (1861), at the entrance you can admire the magnificent water aquasickeeper with Bonvisi coat of arms of Vincenzo Civitali (1589) and, always On the right wall in the presbytery, the marble newsstand for the Holy Oils of the Civital Scuola. In the adjacent parish hall there is a statue of San Bartolomeo in terracotta polychrome of the Lucchese school, dating back to the end of the 400s, unfortunately seriously damaged and missing the feet and part of the legs","come_arrivare":""},"geometry":{"type":"Point","coordinates":[10.572735436971287,43.76470726661033]}}