The parish church of Santa Giulia of Zambra, later said of Caprona, is remembered for the first time in a document of 1096, when it appears as a reference term for the location of a land. Historians believe, however, that the foundation of the building took place in front of the 11th century. The current building is the result of reconstructions, extensions and restorations that have followed each other over time until the last restoration of the seventies, intervention, the latter, which has restored the medieval facies of the building, of a Romanesque system.
The Pieve Plan is a single-cowed Latin cross, with a single nave, according to the East-West axis. The facade and the parade of the side prospects are left with stone face, with a motif with hanging arches resting on shelves. Of considerable interest is the high -medieval sculptural apparatus.<\/p>\n","modified":"2022-10-03T16:30:27","color":"","icon":"","noDetails":false,"noInteraction":false,"zindex":"","image":"http:\/\/ir.be.webmapp.it\/wp-content\/uploads\/2020\/02\/26-300x300.jpg","accessibility":{"mobility":{"check":false,"description":""},"hearing":{"check":false,"description":""},"vision":{"check":false,"description":""},"cognitive":{"check":false,"description":""},"food":{"check":false,"description":""}},"reachability":{"by_bike":{"check":false,"description":""},"on_foot":{"check":false,"description":""},"by_car":{"check":false,"description":""},"by_public_transportation":{"check":false,"description":""}},"locale":"en","source":"http:\/\/ir.be.webmapp.it\/wp-json\/wp\/v2\/poi\/6782","wp_edit":"http:\/\/ir.be.webmapp.it\/wp-admin\/post.php?post=6782&action=edit","translations":{"it":{"id":1275,"name":"V4.1 - Pieve di Santa Giulia","web":"http:\/\/ir.be.webmapp.it\/v4-1-pieve-di-santa-giulia\/","source":"http:\/\/ir.be.webmapp.it\/wp-json\/wp\/v2\/poi\/1275","description":"\n
La Pieve di Santa Giulia di Zambra, pi\u00f9 tardi detta di Caprona, \u00e8 ricordata per la prima volta in un documento del 1096, allorch\u00e9 compare come termine di riferimento per l\u2019ubicazione di un terreno. Gli storici ritengono, tuttavia, che la fondazione dell\u2019edificio sia avvenuta in epoca anteriore all\u2019XI secolo. L\u2019attuale edificio \u00e8 frutto di ricostruzioni, ampliamenti e restauri che si sono succeduti nel tempo fino all\u2019ultimo restauro degli anni Settanta, intervento, quest\u2019ultimo, che ha ripristinato la facies medievale dell\u2019edificio, di impianto romanico.<\/p>\n\n\n\n
La pianta della Pieve \u00e8 a croce latina monoabsidata, a navata unica, secondo l\u2019asse est-ovest. La facciata e il paramento dei prospetti laterali sono lasciati a pietra faccia vista, con un motivo ad archetti pensili poggianti su mensole. Di notevole interesse \u00e8 l\u2019apparato scultoreo altomedievale.<\/p>\n"}},"web":"http:\/\/ir.be.webmapp.it\/poi\/v4-1-pieve-di-santa-giulia\/?lang=en","addr:street":"","addr:housenumber":"","addr:postcode":"","addr:city":"","contact:phone":"","contact:email":"","opening_hours":"","capacity":"","content_from":"","titolo_alternativo":"","rilevanza_storica":"The parish church of Santa Giulia of Zambra, later called Caprona, is remembered for the first time in a document of 1096, when it appears as a reference term for the location of a land. Historians believe, however, that the foundation of the building took place in the front of the 11th century, since from the territory subjected to the Pieve di Caprona, it was subsequently obtained, by subtraction, that of kicks. In addition, the tradition narrates that in 763, at the behest of the Lombard King Desiderio, the remains of Santa Giulia are translated from a hermitage on the island of Gorgona to Brescia, making the stop, says tradition, right in Caprona.\r\nThe piviere of Santa Giulia di Caprona, i.e. the territory subjected to the jurisdiction of the Plebana church, extends to the right bank of the Arno, from Crespignano di Calci to Ghezzano. The current building is the result of reconstructions, extensions and restorations that have followed each other over time until the last restoration of the seventies, intervention, the latter, which has restored the medieval facies of the building.\r\nOriginally the building is configured with a single rectangular classroom. Between the end of the 11th and the beginning of the twelfth century the plant is modified with the insertion of a second nave along the north wall. Projects are certified-dating back to the XII-XIII century-according to which the church was to be completed with a third nave and a transept, in order to give the structure a Latin cross basilica system, however the ambitious expansion is not undertaken.\r\nAround the mid -twelfth century, the building is stretched east and equipped with a bell tower, whose construction ends around the thirteenth century. With the conquest of 1436 by Florence of the territories dependent on Pisa, including Caprone and due to frequent floods of the Arno, the Church undergoes serious damage and begins a phase of neglect and abandonment that continues until the end of the 16th century.\r\nDuring this period, the lateral nave, dangerous and in a bad state of conservation, is even used as a cemetery. The building is affected by a first restoration intervention at the end of the 16th century, precisely in 1597, by the will of the Pisan archbishop Carlo Antonio Dal Pozzo. A series of restorations financed by the Bracci-Cambini family, patroness of the Church, begin with this intervention. Following this, in 1632, Pievano returns to Caprona and the soul -care service was resumed, previously interrupted. In the course of the following centuries other changes affect the building: the northern lateral nave, dangerous and free of coverage, It is demolished and the connection arches are buffered. Between 1813 and 1827 the surviving remains of the lateral nave are demolished and the nearby cemetery is expanded. The church is also embellished with elements of furniture and completed with the construction of vaults in the presbytery area. In 1846 an earthquake causes the collapse of the vault, subsequently restored.\r\nIn the 1920s and thirty hundred, at the behest of the Pievano, the baroque superfits present inside the church are demolished and the tamping of the arches along the left wall are built. In the seventies, the Superintendency of Pisa financed some restoration works to the church: the nineteenth -century vaults of the presbytery area are eliminated and the trampling plan lowered, which returns to coincide with the original one. The excavations also highlight the remains of the primitive single-classroom structure, of small size, attributable to the IX-X centuries.","rilevanza_stile_romanico":"The complex consisting of the parish church of Santa Giulia, the attached cemetery and the nearby canonical house is located in the open countryside, north of the town of the hamlet of Caprona, on the slopes of the Monte della Verruca. The church is preceded by a small chopped stone churchyard. The Pieve Plan is a single-cowed Latin cross, with a single nave, arranged according to the East-West axis.\r\nThe main facade, in Capanna, is made of squared seizures of sandstone and proofs of verrucano. Laterally it is delimited by semi -pillars in support of the Marcapian frame. It is also decorated by a sequence of hanging arches on sculpted peducci, below which two symmetrical oculi open. The triangular tympanum houses a blind eyepiece in the center and is profiled by modeling frames supported by carved peducci.\r\nThe main entrance portal is placed at the center of the facade and has a recovery architrave. It is surmounted by a bezel, adorned until 1986 by the marble coat of arms of the Bracci-Cambini family, patrons of the Pieve. The parade of lateral prospects is also left in stone face, with the same reason with hanging arches resting on shelves.\r\nOf considerable interest is the high -medieval sculptural apparatus. Many of the shelves that support the archetti motif, typically Romanesque, have geometric, floral or anthropomorphic decorations, the latter attributable to human faces, with traditionally \"\"Lombard\"\" traits, that is, represented in the characteristic oblong form. Particular attention deserves the slab, used as a capital, which presents itself on two registers: in the lower one a lion, in the act of jumping; In the upper one a dragon. There is also a capital with two crossed snakes with each other and a slab characterized by interweaving circles.\r\nThe classroom has a double flap cover with a wooden structure consisting of goat, terzers and wooden travicelli. The slopes are divided into two different levels: about two thirds of the classroom, the cover rises by about 6 meters, creating a staple west equipped with cruciform opening. This elevation was hidden by the nineteenth -century vaults, then demolished during the restoration of the seventies. Inside, the presbytery area and the side chapels arranged in the transept are raised compared to the rest of the classroom. The altar consists of a canteen from the church of San Michele alla Verruca - the inscription along the edge is dated 1152 - and by a modern worked stone base. The left chapel of the transept is equipped with a single wood structure cover, while the right chapel is covered by a cruise vault.\r\nThe classroom has a series of buffered arches on the left side which constituted access to the ancient northern lateral nave. The tampons retain traces of the fake wall paintings performed in the early twentieth century. Under the second archeeling starting from the entrance there is the baptismal font with an octagonal immersion, made of monolithic limestone monolithic stone around the first half of the twelfth century. Under the next arch is exposed the painting of Jesus Crucifix by Carlo Mattioli, donated to the Pieve di Caprona in 1993. The fourth archeeling hosts a small statue Vestitadella Madonna girl of the nineteenth-11th century. In the center of the right wall there is a wooden tile depicting Santa Giulia, the work of Felice Cristofani of 1947. On the back of the building, above the right arm of the transept, a rectangular-based bell tower stands dating back to the XII-XIII century, characterized From a bell cell with four single lamps crowned with hanging arches and equipped with a hut coverage.","come_arrivare":""},"geometry":{"type":"Point","coordinates":[10.501552208190304,43.71189009991282]}}